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Abraham Verghese

Cutting for Stone

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Amazon.com ReviewAmazon Exclusive: John Irving Reviews Cutting for Stone

Cutting for Stone:

That Cutting for Stone is a remarkable achievement._—John Irving_

(Photo © Maki Galimberti)

From Publishers WeeklyStarred Review. Lauded for his sensitive memoir (_My Own Country_) about his time as a doctor in eastern Tennessee at the onset of the AIDS epidemic in the 80s, Verghese turns his formidable talents to fiction, mining his own life and experiences in a magnificent, sweeping novel that moves from India to Ethiopia to an inner-city hospital in New York City over decades and generations. Sister Mary Joseph Praise, a devout young nun, leaves the south Indian state of Kerala in 1947 for a missionary post in Yemen. During the arduous sea voyage, she saves the life of an English doctor bound for Ethiopia, Thomas Stone, who becomes a key player in her destiny when they meet up again at Missing Hospital in Addis Ababa. Seven years later, Sister Praise dies birthing twin boys: Shiva and Marion, the latter narrating his own and his brothers long, dramatic, biblical story set against the backdrop of political turmoil in Ethiopia, the life of the hospital compound in which they grow up and the love story of their adopted parents, both doctors at Missing. The boys become doctors as well and Vergheses weaving of the practice of medicine into the narrative is fascinating even as the story bobs and weaves with the power and coincidences of the best 19th-century novel. (Feb.) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
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Zitate

  • Refiloe Masitahat Zitat gemachtvor 3 Jahren
    or the secret of the care of the patient
    is in caring for the patient.
  • Refiloe Masitahat Zitat gemachtvor 3 Jahren
    The greatest sin is not finding it, ignoring what God made possible in you.”
  • Refiloe Masitahat Zitat gemachtvor 3 Jahren
    “Because, Marion, you are an instrument of God. Don't leave the instrument sitting in its case, my son. Play! Leave no part of your instrument unexplored. Why settle for ‘Three Blind Mice’ when you can play the ‘Gloria’?”

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