Cretan art appears to reflect a society in which power is not equated with dominance, destruction, and oppression. In the words of Jacquetta Hawkes, one of the few women to write of Crete, “the idea of a warrior monarch triumphing in the humiliation and slaughter of the enemy” is here absent. “In Crete, where hallowed rulers commanded wealth and power and lived in splendid palaces, there was hardly a trace of these manifestations of manly pride and unthinking cruelty.”26