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Johan Wolfgang Von Goethe

The Sorrows of Young Werther

“The Sorrows of Young Werther” was Goethe’s first major work, an immediate sensation upon publication, and made Goethe a household name.
While Voltaire parodied rationalism in “Candide”, Goethe transcended it with the semi-autobiographical story of Werther, a young man governed more by his emotions than his reason, whose only employment is his delight in the romantic ideals of the pastoral lives he finds in the rural town of Walheim. There he also finds Charlotte, and in her an idealized but unobtainable old-world domesticity. Werther’s internal dialog about his growing obsession with Charlotte, and his inability to cope rationally with the fact that she is engaged to—and in love with—another man, form the bulk of the book in the form of a series of ever more intense letters to a friend.
Werther’s descent into sorrow has captivated readers for centuries, helped by Goethe’s itensely beautiful prose (translated here by R. D. Boylan), enchanting imagery, and obvious reverence for nature and a dying past.
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Ersteindruck

  • Oliver Rodriguezhat einen Ersteindruck geteiltvor 4 Jahren
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Zitate

  • Sofía Escobarhat Zitat gemachtvor 3 Jahren
    I sometimes cannot understand how she can love another, how she dares love another, when I love nothing in this world so completely, so devotedly, as I love her, when I know only her, and have no other possession.
  • the moon, like marigoldshat Zitat gemachtvor 6 Monaten
    vowed this morning that I would not ride today, and yet every moment I am rushing to the window to see how high the sun is.
  • the moon, like marigoldshat Zitat gemachtvor 6 Monaten
    What I have lately said of painting is equally true with respect to poetry. It is only necessary for us to know what is really excellent, and venture to give it expression; and that is saying much in few words. Today I have had a scene, which, if literally related, would, make the most beautiful idyl in the world. But why should I talk of poetry and scenes and idyls? Can we never take pleasure in nature without having recourse to art?

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