The art historian Richard Hamann dealt with modern art in different roles. The book examines the interactions between university and non-university research in art history, also with a view to political fields. How did the “fanatic of objectivity” position himself on modernity compared to other art historians?
Dieses Buch ist zurzeit nicht verfügbar
1.114 Druckseiten
Haben Sie es bereits gelesen? Was halten sie davon?
