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David Trottier

The Screenwriter's Bible, 6th Edition: A Complete Guide to Writing, Formatting, and Selling Your Script (Expanded & Updated)

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The 20th anniversary edition of one of the most popular, authoritative, and useful books on screenwriting. A standard by which other screenwriting books are measured, it has sold over 200,000 copies in its twenty-year life. Always up-to-date and reliable, it contains everything that both the budding and working screenwriter need under one cover five books in one!

A Screenwriting Primer that provides a concise course in screenwriting basics;

A Screenwriting Workbook that walks you through the complete writing process, from nascent ideas through final revisions;

A Formatting Guide that thoroughly covers today s correct formats for screenplays and TV scripts;

A Spec Writing Guide that demonstrates today s spec style through sample scenes and analysis, with an emphasis on grabbing the reader s interest in the first ten pages;

A Sales and Marketing Guide that presents proven strategies to help you create a laser-sharp marketing plan.

Among this book s wealth of practical information are sample query letters, useful worksheets and checklists, hundreds of examples, sample scenes, and straightforward explanations of screenwriting fundamentals. The sixth edition is chock-full of new examples, the latest practices, and new material on non-traditional screenplay outlets.
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Zitate

  • Омар Жолдубаевhat Zitat gemachtvor 7 Jahren
    You may ask, Can the Catalyst also be the Big Event? Sure. Ghost and Regarding Henry are two examples, as is Juno (the pregnancy). Keep in mind that I am presenting guidelines in this book, not hard-and-fast rules.
  • Омар Жолдубаевhat Zitat gemachtvor 7 Jahren
    Here’s the principle: When a story begins, life is in balance. Yes, your hero may have a problem, but it’s a problem he’s always had—his status quo. Then the Catalyst kicks things out of balance and gives the central character a new problem, need, goal, desire, or mission. The central character spends the rest of the movie trying to get things back into balance.
  • Омар Жолдубаевhat Zitat gemachtvor 7 Jahren
    Somewhere in the first 10 or 15 pages of your script (or earlier), something should happen to give your central character a goal, a desire, a mission, a need, or a problem.

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