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Bücher
Lyutsiya Staub

Revisiting Renoir, Manet and Degas

This work analyses the relationship between visual art and contemporary art fiction by addressing the problem of the ekphrastic re-presentation and re-interpretation of an Impressionist figure painting through its composition, selected details of the painting and allusion to specific techniques used in the process of creating the masterpiece based on the examples of the following novels: Luncheon of the Boating Party (LOTBP) by Susan Vreeland (2007), Mademoiselle Victorine (MV) by Debra Finerman (2007), With Violets (WV) by Elizabeth Robards (2008), Dancing for Degas (DFD) by Kathryn Wagner (2010) and The Painted Girls (TPG) by Cathy Marie Buchanan (2013).
393 Druckseiten
Copyright-Inhaber
Bookwire
Ursprüngliche Veröffentlichung
2019
Jahr der Veröffentlichung
2019
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  • Talia Garzahat Zitat gemachtvor 6 Monaten
    sense-impressions of seen objects that put emphasis on their hues”
  • Talia Garzahat Zitat gemachtvor 6 Monaten
    Impressionism offers “canvases that [play] on a tension between an openly dabbed-on plane surface and a rendering of
  • Talia Garzahat Zitat gemachtvor 6 Monaten
    Impressionists step aside from traditionally approved historical or mythological subjects and find theirs in everyday ‘real’ life.
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